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These masks or (Mukha) are of various kinds like– Mukh mukha (mask covering the face), Bor mukha (mask+costume, covers whole of the body), and Suti Su Mukha (smaller than Bor muka, but more compact) and are made of biodegradable materials such as bamboo, cane, potter's clay (Kumar mati), cow dung, jute fiber, paper cloth etc. [2] It usually ...
Transformation masks are complex, intricately built masks designed to depict the dual nature of mythological beings. The Kwakwaka'wakw carried this art to its highest form. [ 15 ] The masks are used in dances, where the dancer may "open" the mask via a series of strings in order to reveal a second figure, usually a "human" mask concealed within ...
Makers of Chhau masks in the village of Charida, Baghmundi block, Purulia An old artisan busy making masks in his workshop. Chhau masks are made by artists from the Sutradhar community. The making of a mask goes through various stages. 8–10 layers of soft paper, immersed in diluted glue, are pasted one after another on the mould before the ...
The design of the masks is somewhat variable, but most share certain features. The eyes are deep-set and accented by metal. The noses are bent and crooked. [3] The other facial features are variable. The masks are painted red and black. Most often they have pouches of tobacco tied onto the hair above their foreheads.
The present uses are as miniature masks for tourist souvenirs, or on cell-phones where they hang as good-luck talismans. There are two ways to categorize masks: religious masks and artistic masks. Religious masks were often used to ward off evil spirits and the artistic masks were mostly used in dances and theater shows.
Battoulah (Arabic: بطوله, romanized: baṭṭūleh; Persian: بتوله), also called Gulf Burqah (Arabic: البرقع الخليجي), [1] [note 1] is a metallic-looking fashion mask traditionally worn by Khaleeji Arab and Bandari Persian Muslim women in the area around the Persian Gulf.