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A lithograph portrait of Nikolai Gogol published by Vezenberg & Co., St. Petersburg, between 1880 and 1886. This is a list of the works by Nikolai Gogol (1809–1852), followed by a list of adaptations of his works:
Daguerreotype of Gogol taken in 1845 by Sergei Lvovich Levitsky (1819–1898). Nikolai Vasilyevich Gogol [b] (1 April [O.S. 20 March] 1809 [a] – 4 March [O.S. 21 February] 1852) was a Russian novelist, short story writer, and playwright of Ukrainian origin.
The stories are heavily laced with Ukrainian folklore and cultural references, offering a unique perspective into life in the country during Gogol's time period. The structure found in this collection became characteristic of Gogol's writing later on, found in works such as Dead Souls. "Evenings" gained Gogol the fame that would lead him to a ...
Short stories by Nikolai Gogol (17 P) Pages in category "Works by Nikolai Gogol" The following 2 pages are in this category, out of 2 total.
"The Lost Letter" (1831) is the fourth Ukrainian tale in the 1832 collection Evenings on a Farm Near Dikanka by Nikolai Gogol. The story is told by an exuberant narrator, the old sexton Foma, who will return with another story, "A Bewitched Place", in the next volume. It was made into an animated film of the same name in 1945. The lost letter
Arabesques (Russian: «Арабески») are collected works written and compiled by Nikolai Gogol, first published in January 1835. [1] The collection consists of two parts, diverse in content, hence its name: ″arabesques,″ a special type of Arabic design where lines wind around each other.
Konstantin Aksakov was the first to bring out a detailed juxtaposition of Gogol's and Homer's works: "Gogol's epic revives the ancient Homeric epic; you recognize its character of importance, its artistic merits and the widest scope. When comparing one thing to another, Gogol completely loses himself in the subject, leaving for a time the ...
Gogol evokes common images of madness in his characterization of Poprishchin – auditory hallucination (the talking dogs), delusions of grandeur (thinking he is the King of Spain), and the institutional context of the asylum and its effect on the individual. In the second half of the nineteenth century, "Diary of a Madman" was frequently cited ...