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In the 1950s the Modern Jazz Fake Book, Volumes 1 and 2 was issued, and Fake Book Volume 3, containing about 500 songs, came out in 1961. The music in Fake Books 1, 2, and 3 was photocopied or reset with a musical typewriter from the melody lines of the original sheet music. Usually chord symbols, titles, composer names, and lyrics were ...
"Oh, now" she replied, "there's a knife in the window"." Sing fol-de-rol-i-do, sing fol-de-rol-day. [5] The song usually ends with the couple in bed together: He took off his breeches and into bed tumbled [sung twice] I'll leave you to guess how this young couple fumbled. To me whack fol the diddle di do, to me whack fol the diddle day
The book has since been published in a case-size edition by William Bay, Mel's son and has spawned a series of similar books like the Encyclopedia of Guitar Chord Progressions (first published in 1977 [3]), Encyclopedia of Guitar Chord Inversions, Mel Bay's Deluxe Guitar Scale Book, Encyclopedia of Jazz Guitar Runs, Fills, Licks & Lines, and ...
"Empty Bed Blues" is a 1928 "dirty blues" song written by J. C. Johnson and first recorded by Bessie Smith. Bessie Smith recorded the song in New York on March 20, 1928. The accompanying musicians were Porter Grainger (piano) and Charlie Green (trombone). The recording was issued by Columbia Records. [1]
According to music professor Vincent Benitez, "Big Barn Bed" has a freer structure than most of Paul McCartney's songs. [4] He finds the lyrics to seem more like the words were just "strung together" rather than formed into a coherent whole. [4] The lyrics involve big barn beds and leaping armadillos. [8] The song is in the key of F major. [4]
In 1999, Atom and His Package covered the song on the album Making Love (with altered lyrics) as "P.P. (Doo-Doo)". When Mojo released Abbey Road Now! in 2009, as part of the magazine's series of CDs of Beatles albums covered track-by-track by modern artists, "Polythene Pam" was covered by Cornershop alongside "Mean Mr. Mustard". [16]