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  2. Jukebox - Wikipedia

    en.wikipedia.org/wiki/Jukebox

    1952 Seeburg M100C – The jukebox exterior used in the credit sequences for Happy Days in seasons 1–10. It played up to fifty 45-RPM records, making it a 100-play. It was very colorful, with chrome glass tubes on the front, mirrors in the display, and rotating animation in the pilasters. [4]

  3. Seeburg Corporation - Wikipedia

    en.wikipedia.org/wiki/Seeburg_Corporation

    Seeburg was an American design and manufacturing company of automated musical equipment, such as orchestrions, jukeboxes, and vending equipment. Founded in 1902, its first products were Orchestrions and automatic pianos but after the arrival of gramophone records, the company developed a series of "coin-operated phonographs."

  4. Rock-Ola - Wikipedia

    en.wikipedia.org/wiki/Rock-Ola

    In the early 1950s, the arrival of the 45rpm seven inch record brought major changes to jukebox designs for all manufacturers. The first 45rpm player from Rock-Ola was the model 1434 which held 25 records, and thus 50 selections. In 1954, the jukebox manufacturer Seeburg Corporation brought out their model HF100R. This had a major influence on ...

  5. Seeburg 1000 - Wikipedia

    en.wikipedia.org/wiki/Seeburg_1000

    The phonographs used the old Pickering "Red-head" stereo cartridge, introduced on Seeburg jukeboxes in late 1958 for the 1959 model year. Although the mono Seeburg jukeboxes used 1 mil styluses and the stereo Seeburgs used .7 mil styluses, the background-music systems used a .5 mil stylus, but played the special mono records.

  6. Sound Leisure - Wikipedia

    en.wikipedia.org/wiki/Sound_Leisure

    December 2016 saw the official release of the Vinyl Rocket, a 140-selection mechanism playing 7" 45 rpm records. This was the first vinyl playing jukebox to be manufactured by the company in over 25 years and the only manufacturer to currently sell a vinyl jukebox anywhere in the world.

  7. Cut-out (recording industry) - Wikipedia

    en.wikipedia.org/wiki/Cut-out_(recording_industry)

    Two different ways of marking cut-out records on LP jackets. When LPs were the primary medium for the commercial distribution of sound recordings, manufacturers would cut the corner, punch a hole, or add a notch to the spine of the jacket of unsold records returned from retailers; these "cut-outs" might then be re-sold to record retailers or other sales outlets for sale at a discounted price.