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"No More Lonely Nights" is a song written and performed by Paul McCartney, [1] first released on 24 September 1984 on the album Give My Regards to Broad Street. The song features David Gilmour from Pink Floyd on guitars including the soaring solos and fills throughout the song.
Preceded by "No More Lonely Nights (Ballad)", a worldwide Top 10 hit featuring guitar work by David Gilmour, Give My Regards to Broad Street entered the UK charts at number 1 and was certified platinum, while also going gold with a number 21 peak in the United States (where it sold and charted under expectations).
Elvin Bishop – guitar and lead vocal on "No More Lonely Nights" Steve Miller and Dave Brown had also volunteered their services. Kooper says (in his book Backstage Passes & Backstabbing Bastards) [9] that Santana, Bishop and Miller performed on three or four songs each. He says Miller "played great", but does not appear on the album because ...
"Lonely Nights" is a song written by Keith Stegall and Stewart Harris, and recorded by American country music artist Mickey Gilley. It was released in September 1981 as the second single from the album You Don't Know Me. The song was Gilley's thirteenth number one country hit.
Flowers in the Dirt is the eighth solo studio album by Paul McCartney.The album was released on 5 June 1989 on Parlophone, as he was embarking on his first world tour since the Wings Over the World tour in 1975–76.
"Lonely No More" is the first single from Matchbox Twenty frontman Rob Thomas' debut studio album, ...Something to Be (2005). It was released on February 14, 2005, and became his biggest solo hit. The song peaked at number one in Hungary, number three in Australia, number six on the US Billboard Hot 100, and number 11 on the UK Singles Chart.
All tracks composed by Alvin Lee and Steve Gould; except where noted "I Don't Wanna Stop" – 4:11 "Take the Money" (Gerry Rafferty) – 4:28"One Lonely Hour" – 4:28
With no major labels interested in a track by a female R&B group, "Lonely Nights" was eventually released on the small independent label Baton [1] and became one of the earliest girl-group hits when it made the US R&B Top 10 hit single in 1955. [2] This success allowed Sanders to found her own doo-wop-oriented label, J&S.