Search results
Results From The WOW.Com Content Network
Eugenio María de Hostos y de Bonilla was born into a well-to-do family in Barrio Río Cañas of Mayagüez, Puerto Rico, on January 11, 1839. [2] His parents were Eugenio María de Hostos y Rodríguez (1807–1897) and María Hilaria de Bonilla y Cintrón (died 1862, Madrid, Spain), both of Spanish descent.
For example, the three notes, which originate from the French genre of "le merveilleux", already appear in the musical theater of the early 18th century. The three chords in the overture can be found in many other 18th-century stage works, such as Traetta's Armida and Gazzaniga's La Circe, operas that have no connection with Freemasonry.