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Initially, the song "On'n'On" was released on the official Justice YouTube channel on 26 March 2013 as a promotion for the full album. [2] The album was released on streaming services such as Spotify and their own official website for the album on 2 May 2013, while distribution mediums such as Amazon.com or iTunes released the album on the official date of 7 May 2013.
Justice was nominated for Best Dance Recording (for "D.A.N.C.E.") and Best Electronic/Dance Album (for Cross) at the 50th Grammy Awards. [18] Justice released their music video for "Stress" on 1 May 2008. The clip features a group of youths committing acts of vandalism and harassment, wearing jackets bearing the Justice cross on the back.
A preview of the single was released on 19 August 2011, via the BBC website. [6] The official music video was released on 6 September 2011 via the band's Facebook page. On 21 August, producer Busy P released a one-minute-long sample of "Helix" in his 2011 Fall Delivery Mix, as well as a two-minute sample of the Para One remix of "Audio, Video ...
"D.A.N.C.E." is the second single by French electronic music duo Justice and the first from their album †. It includes edited and extended versions of "D.A.N.C.E", a rougher mix in the style of their earlier releases, "B.E.A.T", and the track "Phantom" which was previously issued in limited quantities twice on 12" vinyl preceding the release of "D.A.N.C.E.".
Hyperdrama is the fourth studio album by French electronic music duo Justice, released on 26 April 2024 through Ed Banger Records and Because Music. [2] It is their first studio album in over seven years, following Woman (2016).
Cross (stylized as †; titled Justice on digital platforms [1]) is the debut studio album by French electronic music duo Justice, first released on 11 June 2007 through Ed Banger Records and Because Music. Recorded during 2005 and 2006 in Paris, Cross was composed as an "opera-disco" album. It features many samples and "microsamples ...
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"Safe and Sound" received positive reviews from critics. They often praised the song's disco-like structure and sound.Ryan Reed of Rolling Stone called the song "a psychedelic disco epic built on finger snaps, synth-strings, spastic jazz-fusion synths and one of the fiercest slap-bass grooves since Patrice Rushen's 1982 classic 'Forget Me Nots'."