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Munch completed the work after visiting the Hôpital Saint-Louis in Paris, where he saw a woman crying for her child with the disease. The baby in the painting is lifeless, pale and covered in spots. The mother, whose hands and patterned skirt are especially prominent, has a tearful red face and sits on a bench in front of a green background.
Death and the Child is a composition created by Edvard Munch in 1889. [1] [2] Since 1918 it is located in the Kunsthalle Bremen. It depicts a little girl at her mother’s deathbed who is looking at the viewer in a fearful manner. A second, thus far unknown painting of the artist was discovered underneath the canvas in 2005.
Woman With Dead Child is a 1903 etching by Käthe Kollwitz. Its subject was influenced by her experiences in an underserved sector of Berlin as a physician's wife where disease and infant mortality rate were high. [1] The image is often considered as Käthe Kollwitz's most famous depiction of war. [2]
The Salus Populi Romani icon, overpainted in the 13th century, but going back to an underlying original dated to the 5th or 6th century Madonna and Child by Filippo Lippi (15th century) In Christian art, a Madonna (Italian:) is a religious depiction of the Blessed Virgin Mary in a singular form or sometimes accompanied by the Child Jesus.
2. MOTHER WITH A CHILD AND A CHAMBERMAID. Sm. 31 and Suppl. 12; deG. 4. [1] To the left, but near the centre of the picture, sits a woman, holding a little child on her lap with her left hand. She wears a blue jacket trimmed with fur and a red skirt; at her right is a wicker cradle.
Whistler's Mother has been exhibited several times in the United States, notably at the Century of Progress world's fair in Chicago in 1933–34. It was shown at the Atlanta Art Association in the fall of 1962, [16] the National Gallery of Art in 1994, and the Detroit Institute of Arts in 2004. [17]
Bharat Mata is a work painted by the Indian painter Abanindranath Tagore in 1905. However, the painting was first painted by Bankim Chandra Chattopadhyay in the 1870s. The work depicts a saffron-clad woman, dressed like a sadhvi, holding a book, sheaves of paddy, a piece of white cloth, and a rudraksha garland (mala) in her four hands.
[6] In Morrison's text, Grendel's mother is portrayed as being human, washed upon the shores of Denmark. Taken in by a fisherwoman woman and her husband, she is received as a blessing for the child they recently lost and given the name of Brimhild. Morrison's Grendel's mother focuses on a human rather than a supernatural retelling of the ...