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The Neo-Concrete Movement (1959–1961) was a Brazilian art movement, a group that splintered off from the larger Concrete Art movement prevalent in Latin America and in other parts of the world. The Neo-Concretes emerged from Rio de Janeiro’s Grupo Frente. They rejected the pure rationalist approach of concrete art and embraced more ...
The Neo-Concrete Manifesto [2] was written in 1959 by Gullar and begins: . We use the term "neo-concrete" to differentiate ourselves from those committed to non-figurative "geometric" art (neoplasticism, constructivism, suprematism, the school of Ulm) and particularly the kind of concrete art that is influenced by a dangerously acute rationalism.
Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time.
Brazilian modernist art, abstract art, concrete art Judith Lauand (26 May 1922 – 9 December 2022) was a Brazilian painter and printmaker. [ 1 ] [ 2 ] She is considered a pioneer of the Brazilian modernist movement that started in the 1950s, and was the only female member of the concrete art movement based in São Paulo , the Grupo Ruptura.
Grupo Ruptura was created by a collection of artists who sought to advance modern art in Brazil in the 1950s. Together, they held an exhibition entitled Ruptura at the São Paulo Museum of Modern Art in 1952. The group embraced concrete art as a break from traditional naturalistic painting popular in Brazil at the time. Grupo Ruptura's works ...
The movement of Concrete art pushed them towards Neo- Concrete art. Each member brought a different aspect to the group as a whole. They got together in museums as the MAM Museu de Arte Moderna. They were under the leadership of Ivan Serpa. Ivan started the group in 1952. The group pushed for Neo Concrete art, which was described in the overview.
In the 1950s Barsotti worked as a textile and theater costume designer. At this time he began to come in contact with artists working within the Concrete Art movement in Brazil. [3] Though Barsotti's work in this period was constructivist in nature, he did not join the Concrete group in São Paulo. [5]
She was often associated with the Brazilian Constructivist movements of the mid-20th century and the Tropicalia movement. Along with Brazilian artists Amilcar de Castro, Franz Weissmann, Lygia Pape and poet Ferreira Gullar, Clark co-founded the Neo-Concrete movement. From 1960 on, Clark discovered ways for viewers (who would later be referred ...