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Films released under a free license such as Creative Commons are also excluded. Note : This list is not comprehensive; the vast majority of public domain films are not listed here. This list includes a selection of notable films where a reliable secondary source is available that discusses public domain status.
Rotten Tomatoes Movieclips (formerly Movieclips and later Fandango Movieclips) is a company located in Venice, Los Angeles that offers streaming video of movie clips and trailers from such Hollywood film companies as Universal Pictures, Amazon MGM Studios, Paramount Pictures, Warner Bros. (including content from subsidiaries New Line Cinema and Castle Rock Entertainment), Disney, Sony Pictures ...
Shot on digital video in interlaced 50 fps. Shown in cinemas in 24 fps. The original 50 fps presentation is not in any home video release. Love & Pop: Hideaki Anno: Japanese: 60 Shot on digital video in interlaced 60 fps, with some scenes shot on 35 mm movie film in 24 fps. Shown in cinemas in 24 fps and in interlaced 60 fps with 24 fps ...
High-definition video (HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for high-definition , generally any video image with considerably more than 480 vertical scan lines (North America) or 576 vertical lines (Europe) is considered high-definition.
Open source movie? Commercial reuse? Notes The Draughtsmen Clash: 1996 Democratic Republic of the Congo 40 minutes CC BY-SA The Good Girl: 2004 Pornography Spain English 21 minutes No Elephants Dream: March 2006: Animation Netherlands English 9 minutes by 2.5 Yes : Yes Yes First open-source movie [citation needed], created with Blender open ...
Shot entirely on HD in the summer of 1999, premiered in 2000 [17] 1999 Solid Ones: Matthew W. David Sony HDW-700A: Shot entirely on HD in the summer of 1999, premiered in 2000 1999 God Wears My Underwear: Leslie Streit: Canon XL-1: Canon EOS zoom Shot in 1999, released in 2005 1999 The New Women Larra Anderson Canon XL-1 Canon EOS zoom
In the movie projection industry, Digital Cinema Initiatives is the dominant standard for 2K output and defines a 2K format with a resolution of 2048 × 1080. [ 2 ] [ 3 ] For television and consumer media, the dominant resolution in the same class is 1920 × 1080 , but in the cinema industry this is generally referred to as "HD" and ...
Since VP9 uses a variable bitrate, video is stored in evenly-distributed 2-second chunks, decoded by the media block. [13] This method retains random access playback ability ("trick play") and is compatible with all existing digital cinema projection systems. [13] Sign Language Video tracks are unencrypted and not watermarked. [10]