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The jewels consist of a single necklace with a pendant and a locket that was made in London in the 1870s and was a gift from the 9th Duke of Argyll to his soon-to-be wife. It consists of a chain made of diamonds studded with pearls, the pendant has a pearl set in the centre which is surrounded by two rows of diamonds of different shapes.
Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.
The brooches were worn by both men and women, usually singly at the shoulder by men and on the breast by women, and with the pin pointing up; an Irish law code says that in the event of injury from a pin to another person, the wearer is not at fault if the pin did not project too far and the brooch was worn in these ways by the sexes. [1]
A Claddagh ring (Irish: fáinne Chladaigh) is a traditional Irish ring in which a heart represents love, the crown stands for loyalty, and two clasped hands symbolize friendship. [1] [2] The design and customs associated with it originated in Claddagh, County Galway. Its modern form was first produced in the 17th century. [3]
According to his report, normal clothing of Celtic men and women was made from very colourful cloth, often with a gold-embroidered outer layer and held together with golden fibulae. [ 73 ] The women's tunic was longer than the men's; a leather or metal belt (sometimes a chain) was tied around the waist.
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.