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Template documentation Usage This template's initial visibility currently defaults to autocollapse , meaning that if there is another collapsible item on the page (a navbox, sidebar , or table with the collapsible attribute ), it is hidden apart from its title bar; if not, it is fully visible.
This template is used to create an external link to YouTube in the ==External links== section. It may also be used for other YouTube links such as those in {{External media}}.
To change this template's initial visibility, the |state= parameter may be used: {{Mozart piano sonatas | state = collapsed}} will show the template collapsed, i.e. hidden apart from its title bar. {{Mozart piano sonatas | state = expanded}} will show the template expanded, i.e. fully visible.
To change this template's initial visibility, the |state= parameter may be used: {{Beethoven piano sonatas | state = collapsed}} will show the template collapsed, i.e. hidden apart from its title bar. {{Beethoven piano sonatas | state = expanded}} will show the template expanded, i.e. fully visible.
More than one stub template may be used, if necessary, though no more than four should be used on any article. Place a stub template at the very end of the article, after the "External links" section, any navigation templates, and the category tags. As usual, templates are added by including their name inside double braces, e.g. {{Sonata-stub}}.
For example, unit length of 8 1 ⁄ 2 in the first section of Sonata III is achieved by using six bars in 2/2 time and two in 5/4 (rather than eight bars in 2/2 and one in 1/2). In many sonatas the microstructure—how the melodic lines are constructed—deviates slightly from the pre-defined proportion.
The second movement of the sonata is an adagio in F minor. It is the only piano sonata by Mozart with a slow movement in a minor key. While not marked as such, the movement is a siciliana, [2] which Mozart would later revisit in the slow movement of his A major piano concerto (K.488). The mood of this movement is mournful and tragic, with the ...
Portrait of composer C.P.E. Bach. The older Italian sonata form differs considerably from the later sonata in the works of the Viennese Classical masters. [1] Between the two main types, the older Italian and the more "modern" Viennese sonata, various transitional types are manifest in the middle of the 18th century, in the works of the Mannheim composers, Johann Stamitz, Franz Xaver Richter ...