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Moreover, epic might have had only literary exponents, but as Plato's Ion and Aristotle's Ch. 26 of the Poetics help prove, for Plato and Aristotle at least some epic rhapsodes used all three means of mimesis: language, dance (as pantomimic gesture), and music (if only by chanting the words). [14] Subjects (Also "agents" in some translations.)
Download as PDF; Printable version; ... Within poetry there were three super-genres: epic, lyric and drama. ... Aristotle was a student at Plato's Academy, and like ...
[Plato, Ion, 533e–534a] Aristotle differed with his teacher, Plato, about the worth of poetry. Both saw art as an act of mimesis, but where Plato at times saw a pale, essentially false imitation of reality, Aristotle saw the possibility of truth in imitation. As critic David Richter points out, "For Aristotle, artists must disregard ...
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In Book III Plato defines poetry as a type of narrative which takes one of three forms: the "simple," the "imitative" , or any mix of the two. [9] In Book X, Plato argues that poetry is too many degrees removed from the ideal form to be anything other than deceptive and, therefore, dangerous. Only capable of producing these ineffectual copies ...
Although Plato had been Aristotle's teacher, most of Plato's writings were not translated into Latin until over 200 years after Aristotle. [7] In the Middle Ages, the only book of Plato in general circulation was the first part of the dialogue Timaeus (to 53c), as a translation, with commentary, by Calcidius (or Chalcidius). [7]
The term is considered useful because what came to be known as the "Athenian school" (composed of Socrates, Plato, and Aristotle) signaled the rise of a new approach to philosophy; Friedrich Nietzsche's thesis that this shift began with Plato rather than with Socrates (hence his nomenclature of "pre-Platonic philosophy") has not prevented the ...
Plato defined the faculties of the soul in terms of a three-fold division: the intellect (noûs), the nobler affections (thumós), and the appetites or passions (epithumetikón) [1] Aristotle also made a three-fold division of natural faculties, into vegetative, appetitive and rational elements, [2] though he later distinguished further divisions in the rational faculty, such as the faculty of ...