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Song of the Earth, to music by Gustav Mahler, 1965 La sonnambula , to music by Vincenzo Bellini , 1946 La Source (Saint-Léon) , Léo Delibes and Ludwig Minkus , 1866
New York City Ballet: Five: Jean-Pierre Bonnefoux: Charles Wuorinen: New York City Ballet American Music Festival: Ives, Songs: Jerome Robbins: Charles Ives: New York City Ballet: The Unanswered Question: Eliot Feld: Charles Ives: New York City Ballet American Music Festival: The Newcomers: Miriam Mahdaviani: David Diamond: New York City Ballet ...
This dramatic ballet served as the climax of this musical production and has subsequently been presented as a stand-alone piece; however, several of the sung numbers in the show featured dance routines as well, notably the title number. Princess Zenobia Ballet (1936) Slaughter on Tenth Avenue (1936). Babes in Arms (1937), by Rodgers and Hart
This ballet included the famous Leitmotif, the "Swan's Theme" or "Song of the Swans". He also made use of material from The Voyevoda , an opera he had abandoned in 1868. Another number which included a theme from The Voyevoda was the Entr'acte of the fourth scene and the opening of the Finale (Act IV, No. 29).
Another strand in the history of ballet music is the trend towards creative adaptations of old music. Ottorino Respighi took works by Gioachino Rossini (1792–1868) and strung them together into a ballet titled La Boutique fantasque, premiered in 1919. The audience for ballet generally prefers romantic music, hence new ballets are created from ...
Ballet to music by Chopin, Schumann, Rimsky-Korsakow and Shostakovich: Nijinsky; Ballet to a collage of existing music arranged by Bob Zimmerman: Nijinsky – Dancer, Clown, God; Charles Didelot, French dancer and choreographer Ballet to music by William Boyce, arranged by Constant Lambert: The Prospect Before Us; Isadora Duncan, American dancer
The songs helped cross-pollinate the composer's work in other genres, with many of his operatic arias closely related to them. [72] While None but the Lonely Heart may be one of his finest songs, as well as perhaps the best-known in the West, [73] the Six Romances, Op. 65 and the Six Romances, Op. 73 are especially recommendable. [69]
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