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This fragment appears to tell the story of Robin Hood and Guy of Gisborne. [51] There is also an early playtext appended to a 1560 printed edition of the Gest. This includes a dramatic version of the story of Robin Hood and the Curtal Friar and a version of the first part of the story of Robin Hood and the Potter. (Neither of these ballads is ...
It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books. [3] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C. Wyeth ...
A Gest of Robyn Hode (also known as A Lyttell Geste of Robyn Hode) is one of the earliest surviving texts of the Robin Hood tales. Written in late Middle English poetic verse, it is an early example of an English language ballad, in which the verses are grouped in quatrains with an ABCB rhyme scheme, also known as ballad stanzas.
The Oxford Companion to English Literature describes it as the best known of the Robin Hood ballads. [1] But it is also the most often cited, along with Robin Hood and the Monk, for excessive brutality. Guy comes to Barnesdale to capture Robin Hood, but Robin kills and beheads him. Meanwhile, Little John has been captured by the Sheriff, but ...
The chronicle consists of 16 books. The book's composition started in 1440. It was completed in 1447. The last event covered in the chronicle is the death of James I of Scotland in 1437. The chronicle depicts Robin Hood as a historical figure. He is depicted as one of the rebels in the Second Barons' War (1264-1267).
In the 1912 version of Robin Hood, he is determined to marry Marian and captures Robin Hood; he ties him to a tree, but by the end of the movie the roles are reversed. [11] In the Douglas Fairbanks-dominated silent movie Robin Hood he is played by Paul Dickey and the 1938 Errol Flynn film The Adventures of Robin Hood by Basil Rathbone.
Robin Hood and Little John, by Louis Rhead, 1912. Robin Hood and Little John is Child ballad 125. It is a story in the Robin Hood canon which has survived as, among other forms, a late seventeenth-century English broadside ballad, and is one of several ballads about the medieval folk hero that form part of the Child ballad collection, which is one of the most comprehensive collections of ...
Robin Hood and the Monk is generally considered one of the artistically best and most literarily well-crafted of the surviving tales of Robin Hood. [1] Holt wrote that it was a "blood and thunder adventure" that was crisply told, although a "shallow" work as well whose only moral is its paean to loyalty at the end. [ 2 ]