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Ballet to music by Chopin, Schumann, Rimsky-Korsakow and Shostakovich: Nijinsky; Ballet to a collage of existing music arranged by Bob Zimmerman: Nijinsky – Dancer, Clown, God; Charles Didelot, French dancer and choreographer Ballet to music by William Boyce, arranged by Constant Lambert: The Prospect Before Us; Isadora Duncan, American dancer
A Collection of Ball-dances Perform'd at Court; all compos'd by Mr. Isaac, and writ down in characters, by John Weaver, dancing-master (1706). John Weaver (baptised 21 July 1673 – 24 September 1760) is widely regarded as the father of English ballet and of English pantomime.
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A timeline of the history of ballet: 14th century Medieval dance; 15th century; 16th century Renaissance dance; Ballet de cour; Intermedio - Italian court spectaculars with dance; Ballet Comique de la Reine - sometimes called the "first ballet" 17th century French ballet; Comédie-ballet; 18th century Baroque dance; Opéra-ballet; Ballet d ...
The etymology of the word "ballet" reflects its history. The word ballet comes from French and was borrowed into English around the 17th century. The French word in turn has its origins in Italian balletto, a diminutive of ballo (dance). Ballet ultimately traces back to Italian ballare, meaning "to dance". [2]
Scene from Les Sylphides. The following is a list of ballets with entries in English Wikipedia. The entries are sorted alphabetically by ballet title, with the name of the composer (or the composer whose music the ballet is set to) and the year of the first performance.
Edward Villella (born October 1, 1936) is an American ballet dancer and choreographer. He is frequently cited as America's most celebrated male dancer of ballet at the time. [1] [2] He has won numerous awards, including the Daytime Emmy Award for Outstanding Children's Special, the Kennedy Center Honors, and the National Medal of Arts.
Sarah Bernhardt as Hamlet. Travesti is a theatrical character in an opera, play, or ballet performed by a performer of the opposite sex.. For social reasons, female roles were played by boys or men in many early forms of theatre, and travesti roles continued to be used in several types of context even after actresses became accepted on the stage.