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Equal chords are subtended by equal angles from the center of the circle. A chord that passes through the center of a circle is called a diameter and is the longest chord of that specific circle. If the line extensions (secant lines) of chords AB and CD intersect at a point P, then their lengths satisfy AP·PB = CP·PD (power of a point theorem).
The value of the two products in the chord theorem depends only on the distance of the intersection point S from the circle's center and is called the absolute value of the power of S; more precisely, it can be stated that: | | | | = | | | | = where r is the radius of the circle, and d is the distance between the center of the circle and the ...
Chord diagrams are conventionally visualized by arranging the objects in their order around a circle, and drawing the pairs of the matching as chords of the circle. The number of different chord diagrams that may be given for a set of 2 n {\displaystyle 2n} cyclically ordered objects is the double factorial ( 2 n − 1 ) ! ! {\displaystyle (2n ...
Unlike the dominant triad or dominant seventh, the leading-tone triad functions as a prolongational chord rather than a structural chord since the strong root motion by fifth is absent. [ 6 ] On the other hand, in natural minor scales , the diminished triad occurs on the second scale degree; in the key of C minor, this is the D diminished triad ...
Thus, for the arc of 1 / 2 °, the chord length is slightly more than the arc angle in degrees. As the arc increases, the ratio of the chord to the arc decreases. When the arc reaches 60°, the chord length is exactly equal to the number of degrees in the arc, i.e. chord 60° = 60. For arcs of more than 60°, the chord is less than the ...
The concept of harmonic function originates in theories about just intonation.It was realized that three perfect major triads, distant from each other by a perfect fifth, produced the seven degrees of the major scale in one of the possible forms of just intonation: for instance, the triads F–A–C, C–E–G and G–B–D (subdominant, tonic, and dominant respectively) produce the seven ...
The constant chord theorem is a statement in elementary geometry about a property of certain chords in two intersecting circles. The circles k 1 {\displaystyle k_{1}} and k 2 {\displaystyle k_{2}} intersect in the points P {\displaystyle P} and Q {\displaystyle Q} .
In this table, the chord names are in the leftmost column. The chords are given in root position. For a given chord name, the following three columns indicate the individual notes that make up this chord. Thus in the first row, the chord is C major, which is made up of the individual pitches C, E and G.