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A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
Basstortion (bass distortion) Sonar (square-wave tremolo w/ Machine circuit) Double Rock! (dual cascading Box of Rock circuits w/ sub control and Super Hard On conversion, originally designed for J. Mascis of Dinosaur Jr.) Loop Gate (high-headroom noise gate w/ adjustable release time, chop mode and wide-range sensitivity control)
Bass distortion is generally achieved by hard clipping [further explanation needed] of the bass signal, which leaves in "harsher high harmonics that can result in sounds that are heard as jagged and spikey." [2] Since the late 1980s, manufacturers have produced overdrive pedals specifically designed for the electric bass, which often maintain ...
More complex pedals have different distortion effects (e.g., overdrive and fuzz), gates to trigger the volume at which sounds will get overdriven, mixers to mix the natural and fuzzed sound in the player's desired proportions, and multiple band equalizers (typically for low and high frequencies). Boutique fuzz bass pedals even have unusual ...
Source Audio is a guitar effects pedal company that was founded in Woburn, Massachusetts in 2006. They produce modular effects pedals for electric guitar and bass, such as the Nemesis Delay, Ventris Dual Reverb, and Collider Delay+Reverb, as well as the C4 Synth, a modular rack synthesizer in pedal format, the Aftershock Bass Distortion, and the EQ2, a 10-band parametric equalizer with a plug ...
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.