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Panels made from MDF will be painted to hide their appearance, but panels of hardwood-veneer plywood will be stained and finished to match the solid wood rails and stiles. A raised panel has a profile cut into its edge so that the panel surface is flush with or proud of the frame. Some popular profiles are the ogee, chamfer, and scoop or cove.
They are traditionally a wooden framework support [1] on which an artist fastens a piece of canvas. They are also used for small-scale embroidery to provide steady tension, affixing the edges of the fabric with push-pins or a staple gun before beginning to sew, and then removing it from the stretcher when the work is complete.
High Humidity reduces mechanical damage such as brittle paint but raises the risks of biological organisms, e.g. white efflorescence and green-to-black stains on a panel painting. [12] High Humidity also raises the risks of curving or warping of the wood over time, forcing the paint to flake off.
Totem pole carved by William Shelton in Olympia, Washington. The conservation and restoration of totem poles is a relatively new topic in the field of art conservation.Those who are custodians of totem poles include Native American communities, museums, cultural heritage centers, parks or national parks, camp grounds or those that belong to individuals.
A storey pole (or story pole, storey rod, [1] story stick, [2] jury stick, [3] scantling, [4] scantillon [5]) is a length of narrow board usually cut to the height of one storey. [6] It is used as a layout tool for any kind of repeated work in carpentry including stair-building , framing , timber framing , siding , brickwork , and setting tiles.
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