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1 / 12 picas. 1 / 72 in. In typography, the point is the smallest unit of measure. It is used for measuring font size, leading, and other items on a printed page. The size of the point has varied throughout printing's history. Since the 18th century, the size of a point has been between 0.18 and 0.4 millimeters.
4.2333 mm. The pica is a typographic unit of measure corresponding to approximately 1⁄6 of an inch, or from 1⁄68 to 1⁄73 of a foot. One pica is further divided into 12 points. In printing, three pica measures are used: The French pica of 12 Didot points (also called cicero) generally is: 12 × 0.376 = 4.512 mm (0.1776 in).
For example, "agate" and "ruby" used to be a single size "agate ruby" of about 5 points; [2] metal type known as "agate" later ranged from 5 to 5.8 points. The sizes were gradually standardized as described above. [3] Modern Chinese typography uses the following names in general preference to stating the number of points.
For example, when setting Helvetica at 12 point, the em square defined in the Helvetica font is scaled to 12 points or 1 ⁄ 6 in or 4.2 mm. Yet no particular element of 12-point Helvetica need measure exactly 12 points. Frequently measurement in non-typographic units (feet, inches, meters) will be of the cap-height, the height of the capital ...
A font when bought new would often be sold as (for example in a Roman alphabet) 12pt 14A 34a, meaning that it would be a size 12-point font containing 14 uppercase "A"s, and 34 lowercase "A"s. The rest of the characters would be provided in quantities appropriate for the distribution of letters in that language.
Such fonts are usually called "bastard" fonts or types. [9] [10] The usual way of indicating such a font is to write the face size first, then a slash and the body size: 10/12 means a 10-point face on a 12-point body, and 12/10 means a 12-point face on a 10-point body.
Typeface anatomy describes the graphic elements that make up letters in a typeface. [1][2] Typefaces are born from the struggle between rules and results. Squeezing a square about 1% helps it look more like a square; to appear the same height as a square, a circle must be measurably taller.
In typography, the body height or point size refers to the height of the space in which a glyph is defined. The metal sort: b is the body or shank, c is the body height or font size. Originally, in metal typesetting, the body height or the font (or point) size was defined by the height of the lead cuboid ( metal sort) on which the actual font ...