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Claudette Peters is a soca music singer and songwriter. Soca began its development in the early 1970s [2] and grew in popularity throughout that decade. Soca's development as a musical genre included its fusion with calypso, chutney, reggae, zouk, Latin, cadence and traditional West African rhythms. A sound project started in 1970 at KH Studios ...
Calypso. Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
In 1955, "Don't Touch Me Tomato" was recorded in Nassau by the Bahamian goombay musician George Symonette and his Calypso Sextette, and released on the LP Calypso and Native Bahamian Rhythms. [6] This version has appeared on later compilations. [7] [8] Josephine Baker recorded the song in 1958, and it was released on her album Paris Mes Amours. [9]
Chutney is an uptempo song, accompanied by bass guitar, drum machine, electric guitar, synthesizer, dholak, harmonium, and dhantal, tassa played in rhythms imported from filmi, calypso or soca. Early chutney was religious in nature sung by mainly women in Trinidad and Tobago.
This is a list of calypso musicians. Bands and artists are listed by the first letter in their name (not including the words "a", "an", or "the"). Ajamu [1]
In Greek mythology, Calypso (/ kəˈlɪpsoʊ /; Ancient Greek: Καλυψώ, romanized:Kalupsō, lit. 'she who conceals') [ 1 ] was a nymph who lived on the island of Ogygia, where, according to Homer 's Odyssey, she detained Odysseus for seven years against his will. She promised Odysseus immortality if he would stay with her, but Odysseus ...
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements.
Spanish bandleader Xavier Cugat recorded a version of "Mary Ann" in the late 1940s. During the 1956–57 American calypso craze, the Easy Riders, Burl Ives, and other interpreters of folk music further popularized the song, generally under the title "Marianne". [2] Harry Belafonte recorded the track on at least three albums. [3] ".