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The Kharkiv School of Photography (KSOP) (Ukrainian: Харківська Школа Фотографії) is a Ukrainian artistic photography movement. [1] It was created in opposition to the Soviet socialist realism art style, which reigned from 1934 until the 1980s.
Edward Weston. Edward Henry Weston (March 24, 1886 – January 1, 1958) was an American photographer. He has been called "one of the most innovative and influential American photographers" [1] and "one of the masters of 20th century photography." [2] Over the course of his 40-year career Weston photographed an increasingly expansive set of ...
Humanist Photography, also known as the School of Humanist Photography, [ 1] manifests the Enlightenment philosophical system in social documentary practice based on a perception of social change. It emerged in the mid-twentieth-century and is associated most strongly with Europe, particularly France, [ 2] where the upheavals of the two world ...
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [1] Original (left) and colorized reoriented enhancement (right).. The history of photography began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances are visibly altered by exposure to light [2].
History of the camera. The history of the camera began even before the introduction of photography. Cameras evolved from the camera obscura through many generations of photographic technology – daguerreotypes, calotypes, dry plates, film – to the modern day with digital cameras and camera phones.
Vision. Excellence. The Brooks Institute was a private for-profit art school in Ventura, California. It was formerly the Brooks Institute of Photography and was originally based in Montecito and Santa Barbara. [2] Brooks Institute offered four majors and two graduate programs. The college was last owned by Gphomestay. [1]
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.
Janette Beckman is a British documentary photographer who has worked in London, New York and Los Angeles. [1] Beckman describes herself as a documentary photographer. [2] While she produces a lot of work on location (such as the cover of The Police album Zenyatta Mondatta, taken in the middle of a forest in the Netherlands), she is also a studio portrait photographer.