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Italian term Literal translation Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello ...
Plainsong. Plainsong, also known as plainchant, and more specifically Gregorian, Ambrosian, and Gallican chant, refer generally to a style of monophonic, unaccompanied, early Christian singing performed by monks and developed in the Roman Catholic Church mainly during the period 800-1000 . The differences may be marginal—or even great, in ...
Maestro Piero (before 1300 – c. 1350) Gherardello da Firenze (c. 1320/1325 – c. 1362) Jacopo da Bologna (fl. 1340 – 1360) Giovanni da Cascia (Giovanni da Firenze) (14th century) Vincenzo da Rimini (14th century) Lorenzo da Firenze (Lorenzo Masini) (died 1372/1373) Francesco Landini (c. 1325/1335 – 1397)
History of Italy. The modern state of Italy did not come into being until 1861, though the roots of music on the Italian Peninsula can be traced back to the music of ancient Rome. However, the underpinnings of much modern Italian music come from the Middle Ages.
In Italy, music has traditionally been one of the cultural markers of Italian national cultures and ethnic identity and holds an important position in society and in politics. Italian music innovation – in musical scale, harmony, notation, and theatre – enabled the development of opera and much of modern European classical music – such as ...
This is a list of online digital musical document libraries. Each source listed below offers access to collections of digitized music documents (typically originating from printed or manuscript musical sources). They may contain scanned images, fully encoded scores, or encodings designed for music playback (e.g., via MIDI).
Voi avete un cor fedele. " Voi avete un cor fedele ", K. 217, is a concert aria by Wolfgang Amadeus Mozart for solo soprano and orchestra, composed in Salzburg, dated 26 October 1775. Written around the time of the composition of Mozart's five violin concertos. In this aria, the character Dorina contemplates a new romantic partner.
Capriccio italien, Op. 45, is a 15-minute fantasy for orchestra by Pyotr Ilyich Tchaikovsky. Composed between January and May 1880, it premiered on 18 December that year (New System) in Moscow with Nikolay Rubinstein conducting the Orchestra of the Imperial Russian Musical Society. [1] The dedicatee was cellist Karl Davydov. [2]