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A drama set to music for singers and instrumentalists Opera buffa: humorous opera: A comic opera Opera semiseria: semi-serious opera: A variety of opera Opera seria: serious opera: An opera with a serious, esp. classical theme Operetta: little opera: A variety of light opera Oratorio: oratory: Large musical composition for orchestra, choir, and ...
Plainsong. Plainsong, also known as plainchant, and more specifically Gregorian, Ambrosian, and Gallican chant, refer generally to a style of monophonic, unaccompanied, early Christian singing performed by monks and developed in the Roman Catholic Church mainly during the period 800-1000 . The differences may be marginal—or even great, in ...
Maestro Piero (before 1300 – c. 1350) Gherardello da Firenze (c. 1320/1325 – c. 1362) Jacopo da Bologna (fl. 1340 – 1360) Giovanni da Cascia (Giovanni da Firenze) (14th century) Vincenzo da Rimini (14th century) Lorenzo da Firenze (Lorenzo Masini) (died 1372/1373) Francesco Landini (c. 1325/1335 – 1397)
History of Italy. The modern state of Italy did not come into being until 1861, though the roots of music on the Italian Peninsula can be traced back to the music of ancient Rome. However, the underpinnings of much modern Italian music come from the Middle Ages.
In Italy, music has traditionally been one of the cultural markers of Italian national cultures and ethnic identity and holds an important position in society and in politics. Italian music innovation – in musical scale, harmony, notation, and theatre – enabled the development of opera and much of modern European classical music – such as ...
In music, a canon is a contrapuntal (counterpoint -based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or dux), while the imitative melody, which is played in a different voice, is called the ...
Opera is a key part of Western classical music, and Italian tradition in particular. [3] Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as Singspiel and Opéra comique.
Tomaso Albinoni (1671–1751), Venetian composer of opera and instrumental music, the "Adagio in G minor" is based on his works; Vincenzo Albrici (1631–1695/96) Giovanni Maria Alemanni (fl. 1500–1525) Raffaella Aleotti (c.1570 – after 1646) Vittoria Aleotti (c.1575 – after 1620), Raffaella's sister or possibly the same person