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Hurricane (Leon Everette song) " Hurricane " is a song co-written by Thom Schuyler, Keith Stegall, and Stewart Harris. Levon Helm recorded it for his 1980 album American Son. It was later recorded by American country music singer Leon Everette. It was released in July 1981 as the lead single and title track from Everette's album Hurricane.
Hurricane (Bob Dylan song) " Hurricane " is a protest song by Bob Dylan co-written with Jacques Levy and released as a single in November 1975. It was also included on Dylan's 1976 album Desire. The song is about the imprisonment of boxer Rubin "Hurricane" Carter (1937–2014). It compiles acts of racism and profiling against Carter, [1] which ...
Hernán Cortés, the inspiration behind the song's title. The song is inspired by Hernán Cortés's conquest of the Aztec Empire under Moctezuma II in the 16th century. . Instead of describing Cortés's battles with the Aztecs, the last verse suddenly jumps to a first-person perspective with a reference to an unnamed woman: "And I know she's living there / And she loves me to t
Malinalxochitl (Codex Azcatitlan) [ 1 ] Children. None. Huitzilopochtli (Classical Nahuatl: Huītzilōpōchtli, IPA: [wiːt͡siloːˈpoːt͡ʃt͡ɬi] ⓘ) is the solar and war deity of sacrifice in Aztec religion. [ 3 ] He was also the patron god of the Aztecs and their capital city, Tenochtitlan.
Wasn't That a Mighty Storm. " Wasn't That a Mighty Storm " is an American folk song concerning the 1900 hurricane that destroyed Galveston, Texas. It was revived and popularized by Eric Von Schmidt and Tom Rush in the 1960s, and later by the bluegrass musician Tony Rice.
Post-Classical. Culture. Mexica. The Aztec sun stone (Spanish: Piedra del Sol) is a late post-classic Mexica sculpture housed in the National Anthropology Museum in Mexico City, and is perhaps the most famous work of Mexica sculpture. [1] It measures 3.6 metres (12 ft) in diameter and 98 centimetres (39 in) thick, and weighs 24,590 kg (54,210 ...
The Aztec or Nahuatl script is a [pre-Columbian] writing system that combines ideographic writing with Nahuatl specific phonetic logograms and syllabic signs [1] which was used in central Mexico by the Nahua people in the Epiclassic and Post-classic periods. [2] It was originally thought that its use was reserved for elites, however, the ...
Quecholcohuatl was a Chalcan musician. He was known for making peace between his native altepetl of Chalco and Tenochtitlan by serenading its Tlatoani, Axayacatl, in 1479. [ 1] His song became a multigenerational hit and brought fame to his hometown of Amaquemecan. Chimalpahin, a Nahua annalist, commented that: “Because of it Amaquemecan (Ah ...