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Vivaldi, Op. 2, 12 Violon Sonatas. Antonio Vivaldi wrote a set of twelve sonatas for violin and basso continuo, Op. 2, in 1709. First published by Antonio Bortoli in Venice in 1709 (in movable type), the collection was later reprinted by Estienne Roger (who became Vivaldi's main publisher) in Amsterdam around 1712/13. [1] [2] Sonata No. 1 in G ...
Pablo de Sarasate: Navarra, Duo in A major for 2 violins and orchestra (or piano), Op. 33 (1889.) Johanna Senfter : Concerto for 2 violins and string orchestra, Op. 40 Obadiah Shuttleworth : 2 concerti grossi, for two solo violins and string orchestra, arranged from the opus 5 solo sonatas by Arcangelo Corelli (1653–1713)
In music, Op. 2 stands for Opus number 2. Compositions that are assigned this number include: Beethoven – Piano Sonata No. 1; Beethoven – Piano Sonata No. 2; Beethoven – Piano Sonata No. 3; Brahms – Piano Sonata No. 2; Britten – Phantasy Quartet; Chopin – Variations on "Là ci darem la mano" Dvořák – String Quartet No. 1 in A major
Norwegian composer Edvard Grieg wrote three violin sonatas. They are all examples of his musical nationalism, since they all contain references or similarities to Norwegian folk song. Grieg wrote the sonatas between 1865 and 1887. Violin Sonata No. 1 in F major, Op. 8 was written in Copenhagen in 1865.
The Violin Sonata No. 2 in A major, Op. 100 ("Thun" or "Meistersinger"), by Johannes Brahms was written while spending the summer of 1886 in Thun in the Bernese Oberland, Switzerland. It was a very fertile and refreshing time for Brahms.
The Violin Sonata No. 2 for piano and violin, in D major, Op. 11, No. 2, is the second surviving violin sonata for the two instruments by Paul Hindemith, composed in 1918. It was published as Sonate in D für Klavier und Violine .
The end of his musical apprenticeship was marked by the composition of his Second Violin Sonata in Paris in 1899 [1] The first performance of the sonata was given in Paris by Jacques Thibaud, violin, with the composer himself at the piano, on 22 February 1900, in a concert that was part of the Concerts Colonne series [2] The score is dedicated ...
The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...