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Puerto Rico Ilustrado was a weekly magazine in Puerto Rico. Its first issue was published 6 March 1910 in San Juan, Puerto Rico, with Juan M. Saavedra as administrator. [7] The final issue of Puerto Rico Ilustrado as an independent publication was número 2227, published 27 December 1952. [10]
El Día: decano de la prensa de Puerto Rico [276] [477] Ponce [478] 1911 (May 2) [479] [467] 1970 [480] Archivo Histórico Municipal de Ponce (entire printed collection) [481] This paper was the successor of El Diario de Puerto Rico (1909–1911); Eugenio Astol, director; Guillermo Vivas Valdivieso become its director in 1928. [482]
El Imparcial, founded in 1918, was "an anti-Popular, pro-Independence tabloid" [4] in Puerto Rico. It circulated daily, except Sundays. [5] Its full name was El Imparcial: El diario ilustrado de Puerto Rico. [6] El Imparcial was given new life in 1933 under the leadership of Antonio Ayuso Valdivieso. [7]
Puerto Rico Ilustrado/El Mundo Building (Spanish: Edificio El Mundo/Puerto Rico Ilustrado) is a historic Art Deco high-rise building located in the Old San Juan historic district of the city of San Juan, Puerto Rico. The building was erected in 1923 to serve as the headquarters of the El Mundo newspaper and the Puerto Rico Ilustrado magazine. [1]
El Mundo (lit. ' The World ') is a Puerto Rican newspaper founded in 1919 [1] by Romualdo Real. [2] Its slogan was "Verdad y Justicia" (Truth and Justice). [3] In 1929, former corrector-turned-administrator Angel Ramos and journalist José Coll Vidal, bought the newspaper when Real retired.
The Casa Dra.Concha Meléndez Ramírez is a historic house at 1400 Vilá Mayo in San Juan, Puerto Rico.It is a modest two-story Spanish Revival structure, finished in adobe-colored concrete and a clay tile roof.
In 1924, Betances Jaeger addressed her writing to the middle-class and upper-class Puerto Rican women readers of the San Juan newspaper Heraldo de Puerto Rico column, "Lectura para las damas: Deporte y literatura." Writing for this column shaped Betances Jaeger's early career as a "reporter and mediator of the women’s beauty and fashion."
The ilustrado class was composed of Philippine-born and/or raised intellectuals and cut across ethnolinguistic and racial lines—mestizos (both de Sangleyes and de Español), insulares, and indios, among others—and sought reform through "a more equitable arrangement of both political and economic power" under Spanish tutelage.