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A 1973 article by the New York Times divided the period's suits into three different periods: the original style typified by the Nehru jacket and sport coat; the middle period which was influenced by Edwardian dress; and the later period which saw the rise of wide lapels and bell-bottoms. [6]
The dress features a design representing the feathers of a peacock, a symbol of great significance in Indian culture and the Hindu religion, on a fabric traditionally worn by Mughal court rulers. [3] Lady Curzon's dress was a reference to the Peacock Throne that originally stood in the Diwan-I-Khas palace, where the ball took place.
Dinner dress, designed about 1912 by Lucile (1863–1935) During the early years of the 1910s the fashionable silhouette became much more lithe, fluid and soft than in the 1900s . Public interest in all things "oriental", in combination with neoclassical inspiration from the Empire or Directoire style of the early 19th century, were the major ...
The Peacock Skirt was the second of ten illustrative plates published with the English version of Wilde's play. It shows a rear quarter view of a woman, Salome, wearing a long robe decorated with stylised peacock feather pattern. Her headdress is also decorated with peacock feathers, and more long peacock feathers drape down over her back.
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The shirtwaist dress was worn for all occasions, besides those that were extremely formal, and were modest in design. The dress could either have long or short sleeves, a modest neckline and skirt that fell below the knee. The bust was rounded but not particularly emphasized and the waistline was often belted in its normal position.
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The style of this era is known as Baroque. Following the end of the Thirty Years' War and the Restoration of England's Charles II , military influences in men's clothing were replaced by a brief period of decorative exuberance which then sobered into the coat , waistcoat and breeches costume that would reign for the next century and a half.