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Jendela Rumah Kita: TVRI: 1993 None: TPI: 1994 - Si Cemplon - Mawar Mekar di Antara Duri - SCTV - INDOSIAR 1995 Saat Memberi Saat Menerima: RCTI: 1996 Istana Impian: Ayu RCTI: 1997 Abad 21: Rosa Indosiar: 1997 Istri Pilihan: RCTI: 1998 - 1999 Doaku Harapanku: Anisa Lead role RCTI: 1999 Diantara Dua Pilihan: RCTI: 2000 Terpesona: SCTV: 2001 ...
The M. Nasir/S.Amin combination were most noticeable on hit songs such as Hingga Akhir Nanti (Till The End), Andai Aku Pergi Dulu (If I Go Before You), Sekuntum Mawar Merah Sebuah Puisi (A Red Rose And A Poem), Setahun Sudah Berlalu (A Year Has Passed), Seribu Bintang (A Thousand Stars), Nota Terakhir (This Last Note).
Two songs, in collaboration with Indra Lesmana, Haruskah Pergi, and Selancar, were released as digital downloads in 2006. In 2007, 50:50 was released by Musica Studios. The album's themes were romance and social criticism. One single from the album, "Pulanglah" ("Go Home"), tells about the death of Munir. [11]
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
The band released one album, Ideologi Sikap Otak, in 1998 [4] and are best remembered for the hit songs "Distorsi" and "Aku Cinta Kau dan Dia". Inactive since 1999, the band reunited in 2021 with Ahmad Dhani and Andra Ramadhan as the original members (also the remaining original members of Dewa 19 ), among with others.
G major chord for guitar (open). Violoncello chord on C Play ⓘ. Bottom two strings are open. In music for stringed instruments, especially guitar, an open chord (open-position chord) is a chord that includes one or more strings that are not fingered. An open string vibrates freely, whereas a fingered string will be partially dampened unless ...
The Petrushka chord is a recurring polytonal device used in Igor Stravinsky's ballet Petrushka and in later music. These two major triads , C major and F ♯ major – a tritone apart – clash, "horribly with each other," when sounded together and create a dissonant chord .
The progression emerged between the end of the 15th century and the beginning of the 16th century in vocal repertory found in both Italian ("Canzoniere di Montecassino", "Canzoniere di Perugia" and in the frottola repertoire) and Spanish sources (mainly in the "Cancionero Musical de Palacio" and, some years later, in the ensaladas repertoire).