Ad
related to: oraciones de la noche
Search results
Results From The WOW.Com Content Network
Prayers for the Stolen (Spanish: Noche de fuego, lit. 'Night of Fire') is a 2021 Mexican drama film directed and written by Tatiana Huezo , [ 1 ] [ 2 ] which adapts Jennifer Clement 's novel Prayers for the Stolen .
María Cristina Forero (born 7 May 1947), known by her pseudonym María Moreno, is an Argentine writer, journalist, and cultural critic.Considered one of the most prominent contemporary Argentine chroniclers and essayists, she has dedicated herself to journalistic work and writings related to women's and feminist themes, in addition to fiction.
The Dark Night of the Soul (Spanish: La noche oscura del alma) is a phase of passive purification in the mystical development of the individual's spirit, according to the 16th-century Spanish mystic and Catholic poet St. John of the Cross.
Devotees praying to Santa Muerte in Mexico. Santa Muerte can be translated into English as either "Saint Death" or "Holy Death", although R. Andrew Chesnut, Ph.D. in Latin American history and professor of Religious studies, believes that the former is a more accurate translation because it "better reveals" her identity as a folk saint.
La saga de los Drácula/ The Dracula Saga (1973) – Vendedor de libros de oraciones; The Vampires Night Orgy (1973) – Godó; El chulo (1974) – Doctor; I Hate My Body (1974) – Herman Schmidt; Vera, un cuento cruel (1974) – Cura; Los fríos senderos del crimen (1974) – Rupert; Los Ojos Azules de la Muneca Rota (1974) – René
La Otra 14 (Oct.-Dec. 2011): 49-51. Hugo Mujica. “Todo está al otro lado de la noche”. Cuadernos Hispanoamericanos 736 (Oct. 2011): 103-114. Armando Chávez Rivera. “Víctor Rodríguez Núñez: Escobamarga y curujeyes”. Cuba per se: Cartas de la diáspora. Cincuenta escritores cubanos responden sobre su vida fuera de la Isla.
La Noche Triste ("The Night of Sorrows", literally "The Sad Night"), was an important event during the Spanish conquest of the Aztec Empire, wherein Hernán Cortés, his army of Spanish conquistadors, and their native allies were driven out of the Aztec capital, Tenochtitlan.
The director uses colors or the composition of the shots to describe the mental state of his characters (white daisies in a blue vase versus the same blue flowers of the two mothers) or uses their bodies in an expressive and always original way, feminine or masculine, exposed as an offering, generous or reproachful (squatting), blurred (the steam in the shower before the transparency of the ...