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Colossal Yapong dance Hundreds of dancers demonstrate the yapong dance. The pattern in the clothes worn by the dancers is a development of the Betawi mask dancer clothes. This can be seen clearly from the shape and decoration of the headgear and the sash worn on the chest, which is called the toka-toka.
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
A dancer completing his spinning movements. (Performed by Nyoman T. Usadhi at Sanata Dharma University, 2014) Generally, the kebyar duduk dance is performed by a single male dancer, though his make-up makes him appear almost androgynous. [8]
The Lilin dance (from Minangkabau lilin 'candle') is a traditional Indonesian (Minangkabau) dance performed by a group of dancers to the accompaniment of a group of musicians.
Bajidor Kahot (from Sundanese ᮘᮏᮤᮓᮧᮁ ᮊᮠᮧᮒ᮪) is a Sundanese dance from Indonesia which combines the dance movements of Ketuk Tilu and Jaipongan as the basis of its motions. [1]
Payung dance (Minangkabau: tari Payuang; Jawi: تاري ڤايوڠ) is a folk dance-drama tradition of the Minangkabau-Malay ethnic group [1] in Sumatra, Indonesia. This dance is a Minangkabau version of other Malay dances from Sumatra. Folk theatre such as toneel and sandiwara often incorporates payung dance as part of the show. [2]
Tortor (Batak: ᯖᯬᯒ᯲ᯖᯬᯒ᯲) is a traditional Batak dance originating from North Sumatra, Indonesia.This dance was originally a ritual and sacred dance performed at funerals, healing ceremonies, and other traditional Batak ceremonies.
Lenong is a form of theatre traditional to the Betawi people of Jakarta, Indonesia.Dialogue is generally in the Betawi dialect.Actions and dialogue are often presented in a humorous manner on top of a stage known as a pentas tapal kuda, so named for the way actors enter the stage from the left and right.