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The book was a guide to proper reading of classical texts, using the fanqie method to indicate the pronunciation of Chinese characters. The Qieyun and later redactions, notably the Guangyun, are important documentary sources used in the reconstruction of historical Chinese phonology.
Pulleyblank, Edwin George (1984), Middle Chinese: a study in historical phonology, Vancouver: University of British Columbia Press, ISBN 978-0-7748-0192-8. ——— (1998), " Qieyun and Yunjing : the essential foundation for Chinese historical linguistics", The Journal of the American Oriental Society , 118 (2): 200–216, doi : 10.2307/605891 ...
Analysis of the fanqie spellings allows one to enumerate the initials and finals of the system, but not to determine their phonetic values. [3] The rhyme tables from the Song dynasty contain a sophisticated feature analysis of the Qieyun initials and finals, though they were influenced by the different pronunciations of that later period.
A rime table or rhyme table (simplified Chinese: 韵图; traditional Chinese: 韻圖; pinyin: yùntú; Wade–Giles: yün-t'u) is a Chinese phonological model, tabulating the syllables of the series of rime dictionaries beginning with the Qieyun (601) by their onsets, rhyme groups, tones and other properties.
The reconstruction of Middle Chinese phonology is largely dependent upon detailed descriptions in a few original sources. The most important of these is the Qieyun rime dictionary (601) and its revisions.
Copy of the Tangyun, an 8th-century edition of the Qieyun. A rime dictionary, rhyme dictionary, or rime book (traditional Chinese: 韻書; simplified Chinese: 韵书; pinyin: yùnshū) is a genre of dictionary that records pronunciations for Chinese characters by tone and rhyme, instead of by graphical means like their radicals.
The centre of the study of Chinese historical phonology is the Qieyun, a rime dictionary created by Lu Fayan in 601 CE as a guide to the proper reading of classic texts. The dictionary divided characters between the four tones, which were subdivided into 193 rhyme groups and then into homophone groups.
Middle Chinese is usually reconstructed with two medials: -w-in Qieyun syllables classified as "closed" (合 hé) in the Song dynasty rhyme tables, in contrast to "open" (開 kāi) syllables, [164] and-j-in syllables with division-III (or Type B) finals. Karlgren projected both of these medials back to Old Chinese.