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Pattern 4 is a bell pattern used by the Hausa people of Nigeria. [28] It is also used in the Cuban-Congolese rhythm palo. The figure is sometimes referred to as a horizontal hemiola. [29] Three-beat cycle bell patterns. There is a category of 12 8 bell patterns based on "slow" cycles of three cross-beats across four or eight main beats.
The bell pattern (also known as a key pattern, [17] [18] guide pattern, [19] phrasing referent, [20] timeline, [21] or asymmetrical timeline [22]) is repeated throughout the entire piece, and is one of the principal units of musical time for the ensemble, underlying the rhythms of accompaniment parts as well as melodies and improvisations.
Bell pattern 1 is the most basic, or archetypal pattern. It is the 4/4 form of what is known in ethnomusicology as the standard pattern, and known in Cuba as clave. Pattern 1 is used in maculelê and some Candomblé and Macumba rhythms. Bell 2 is used in afoxê and can be thought
The structure of Afro-Brazilian bell patterns can be understood in terms of the clave concept (see below). Although a few contemporary Brazilian musicians have adopted the 3–2/2–3 terminology, it is traditionally not a part of the Brazilian rhythmic concept. Bell pattern 1 is used in maculelê (dance) and some Candomblé and Macumba rhythms.
The technique of cross rhythm is a simultaneous use of contrasting rhythmic patterns within the same scheme of accents or meter. In Anlo-Ewe cultural understanding, the technique of cross rhythm is a highly developed systematic interplay of varying rhythmic motions simulating the dynamics of contrasting moments or emotional stress phenomena ...
The following bell pattern is used in the Ewe rhythm kadodo. [13] The 24-pulse pattern crosses the barline, contradicting the meter with three sets of five strokes, across eight main beats (two measures of four main beats each). The three single strokes are muted. kadodo bell pattern (Play ⓘ) The kadodo bell pattern is an embellishment of ...
[a] It is the same pattern as the previous figure, but the strokes occur at half the rate. Drum pattern based on 1.5:4 cross-rhythm (Play ⓘ). Ewe gankoqui bell. The following bell pattern is used in the Ewe rhythm kadodo. [11] The pattern consists of three modules—two pairs of strokes, and a single stroke. The three single stroke are muted.
The upper parts show; a) two cells of 3:2, beginning on beats 1 and 3 (Play ⓘ); b) the same, beginning on beats 2 and 4 (Play ⓘ); c) one cell of a) and one of b) giving d) the standard bell pattern notation (Play ⓘ) The most commonly used key pattern in sub-Saharan Africa is the seven-stroke figure known in ethnomusicology as the standard ...