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Jabberwocky" 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand: Long time the manxome foe he sought—
Twas brilig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. A Jabberwocky sentence is a type of sentence of interest in neurolinguistics. Jabberwocky sentences take their name from the language of Lewis Carroll's well-known poem "Jabberwocky". In the poem, Carroll uses correct ...
Every poem code message commenced with an indicator group of five letters, whose position in the alphabet indicated which five words of an agent's poem would be used to encrypt the message. For instance, suppose the poem is the first stanza of Jabberwocky: ’Twas brillig, and the slithy toves Did gyre and gimble in the wabe:
Back in 1942, Scott and Emma have encountered Carroll's fantasy book Through the Looking-Glass, containing the poem "Jabberwocky". In its words, they identified the time-space equation that guided their production, organization, and operation of the abstract machine; the title of the short story is a line from the poem.
'Twas brillig, and the slithy toves. Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun. The frumious Bandersnatch!" — From Lewis Carroll's "Jabberwocky", published as part of Through the Looking ...
In the earlier version of "Rumpelstiltskin," The Miller's Daughter has a perplexing, but empowering problem, she can only spin straw into gold, and is unable to complete her needed domestic duties. In the now popular 1812 version of "Rumpelstiltskin," The Miller's daughter is forced to spin straw into gold by a greedy king, but continually ...
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
Other nonsense verse makes use of nonsense words—words without a clear meaning or any meaning at all. Lewis Carroll and Edward Lear both made good use of this type of nonsense in some of their verse. These poems are well formed in terms of grammar and syntax, and each nonsense word is of a clear part of speech.