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Christopher S. Claremont [1] [2] (/ ˈ k l ɛər m ɒ n t /; born November 25, 1950) is an American comic book writer and novelist. Claremont is best known for his 16-year stint on Uncanny X-Men from 1975 to 1991, far longer than that of any other writer, [3] during which he is credited with developing strong female characters as well as introducing complex literary themes into superhero ...
Claremont wrote the first three issue of this series, in which the X-Factor and X-Men teams reunited with Professor Xavier at the school. Claremont left Marvel after disputes with Bob Harras and artist Jim Lee (of X-Men). Claremont's final issue of Uncanny X-Men was #279, during the "Muir Island Saga", which is set before those events. [8] [53]
Uncanny X-Men #94 is the beginning of writer Chris Claremont's 16-year run on the title. [3] Under his guidance, Uncanny X-Men would become the industry's top title, [4] [5] and, along with Spider-Man, the driving force behind Marvel Comics for the next 20 years.
The film is an in-depth look at Claremont's run on The X-Men (later The Uncanny X-Men) series, which he wrote from 1975 to 1991.In interviews with Claremont, Simonson, Nocenti, Adams, and Shooter, the film tells the story of how Claremont's writing revived Marvel's failing X-Men title and rebuilt it into a successful franchise.
The opening of the story is in the final pages of Uncanny X-Men Omnibus, Volume 1, which includes Giant-Size Uncanny X-Men #1, The X-Men Annual #3, and The X-Men #94–131; it concludes in Uncanny X-Men Omnibus Volume 2, which continues through issue #153 and also includes Annual #4–5, Avengers Annual #10, Marvel Fanfare #1–4, Marvel ...
Mister Sinister (Dr. Nathaniel Essex) is a supervillain appearing in American comic books published by Marvel Comics.Created by writer Chris Claremont, the character was first mentioned as the employer behind the team of assassins known as the Marauders in The Uncanny X-Men #212 (December 1986), and later seen in silhouette in The Uncanny X-Men #213, with both issues serving as chapters of the ...
Writer Chris Claremont originally conceived the systematic killing of the Morlocks as a storyline that would run in the pages of Uncanny X-Men, but X-Factor writer Louise Simonson felt that such a big storyline would run overlong in a single title, and suggested that it be done as a crossover between all three mutant titles.
As a result of the revamp, Chris Claremont moved from writing X-Treme X-Men to writing Uncanny X-Men, with Alan Davis doing the art. Chuck Austen moved from writing Uncanny X-Men to New X-Men, which returned to its old name of simply X-Men, with Salvador Larroca, who had been working with him on Uncanny X-Men doing the art.