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The word arroba is also used for a weight measure in Portuguese. One arroba is equivalent to 32 old Portuguese pounds, approximately 14.7 kg (32 lb), and both the weight and the symbol are called arroba. In Brazil, cattle are still priced by the arroba – now rounded to 15 kg (33 lb). This naming is because the at sign was used to represent ...
The modern metric arroba used in these countries in everyday life is defined as 15 kilograms (33 lb). In Colombia, Ecuador, and Peru the arroba is equivalent to 12.5 kilograms (28 lb). [2] In Bolivia nationally it is equivalent to 30.46 litres (6.70 imp gal; 8.05 US gal).
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The earliest editors (designed for teleprinter terminals) provided keyboard commands to delineate a contiguous region of text, then delete or move it. Since moving a region of text requires first removing it from its initial location and then inserting it into its new location, various schemes had to be invented to allow for this multi-step process to be specified by the user.
1798 broadside advertising 'Phœnomenon', stables of Maj. Thomas Leavett, Northampton, Massachusetts A broadside advertising an event on 27 November 1821 at the Westminster Pit, London, a well-known blood-sport arena, featuring a fight between the monkey, Jacco Macacco and a dog, also dog fights, badger-baiting and bear-baiting
The artist-designer Jules Chéret (1835–1932) was a notable early creator of French Art Nouveau posters. He helped turn the advertising poster into an art form. The son a family of artisans, he apprenticed with a lithographer and also studied at the École nationale supérieure des arts décoratifs.
The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.