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For a longer list, see Figure of speech: Tropes. Kenneth Burke has called metaphor, metonymy, synecdoche and irony the "four master tropes" [17] owing to their frequency in everyday discourse. These tropes can be used to represent common recurring themes throughout creative works, and in a modern setting relationships and character interactions.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of
Synecdoche is a rhetorical trope and a kind of metonymy—a figure of speech using a term to denote one thing to refer to a related thing. [9] [10]Synecdoche (and thus metonymy) is distinct from metaphor, [11] although in the past, it was considered a sub-species of metaphor, intending metaphor as a type of conceptual substitution (as Quintilian does in Institutio oratoria Book VIII).
The assumption (unstated Claim 2) is that People are mortal). In Aristotelian rhetoric, an enthymeme is known as a "rhetorical syllogism": it mirrors the form of a syllogism, but it is based on opinion rather than fact. Epanalepsis – a figure of speech in which the same word or phrase appears both at the beginning and at the end of a clause.
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In rhetoric, a scheme is a type of figure of speech that relies on the structure of the sentence, unlike the trope, which plays with the meanings of words. [ 1 ] A single phrase may involve both a trope and a scheme, e.g., may use both alliteration and allegory .
His rhetorics textbook Epitome troporum defines 132 tropes and figures and gives examples of their use in ancient literature as well as references in contemporary books on rhetorics. Living in the days of the Protestant Reformation , Susenbrotus distinctly remained a Roman Catholic.
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