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Bathsheba at Her Bath (or Bathsheba with King David's Letter) is an oil painting by the Dutch artist Rembrandt (1606–1669), finished in 1654.. A depiction that is both sensual and empathetic, it shows a moment from the Old Testament story related in 2 Samuel 11 in which King David sees Bathsheba bathing and, entranced, impregnates her. [1]
David and Goliath (Titian) David and Goliath (Caravaggio) David and Jonathan (Rembrandt) David and Uriah; David Before the Ark of the Covenant; David with the Head of Goliath (Caravaggio, Rome) David with the Head of Goliath (Castagno) David with the Head of Goliath (Caravaggio, Vienna) David with the Head of Goliath (Massimo Stanzione)
The David and Goliath in the Prado was painted in the early part of the artist's career, while he was a member of the household of Cardinal Francesco Maria Del Monte.It shows the Biblical David as a young boy (in accordance with the Bible story) fastening the head of the champion of the Philistines, the giant Goliath, by the hair.
David Before the Ark of the Covenant is a c.1515 oil on canvas painting of King David by Correggio, rediscovered as a work by that artist by Giovanni Romano in 1996, an attribution accepted soon afterwards by David Ekserdjian. [1] It is now in a private collection in Turin.
He was killed shortly after the event - David then married Bathsheba and their son was born. The painting depicts the precise moment that David spots Bathsheba (David is the tiny figure at the top left of the picture). However, the focus of the painting is entirely on the calm Bathsheba as she attended on by her servants. [4]
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1656, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
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Object history: 1651 Painted for Giuseppe Locatelli, Cesena, with The Samian Sybil 1768: inherited by Marchesi Locatelli, Cesena from whom acquired in 1768 by Gavin Hamilton (1723-1798), painter, archaeologist and dealer, on behalf of John Spencer, 1st Earl Spencer (1734-1783), at Spencer House, St. James's Place, London, in the Great Room