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Chinese jade refers to the jade mined or carved in China from the Neolithic onward. It is the primary hardstone of Chinese sculpture . Although deep and bright green jadeite is better known in Europe, for most of China's history, jade has come in a variety of colors and white "mutton-fat" nephrite was the most highly praised and prized.
Yupei (Chinese: 玉佩; pinyin: Yùpèi) is a generic term for jade pendants. [1] Yupei were popular even before Confucius was born. [2]: 18 Jade culture is an important component of Chinese culture, [1] reflecting both the material and spiritual culture.
Jade culture is an important aspect of Chinese culture, [3] reflecting both the material and spiritual culture of the Chinese people. [4]: 18 Jade is deeply ingrained in Chinese culture and played a role in every aspect of social life; [4]: 18 it is also associated with positive qualities and aspects such as purity, excellence, and harmony.
A dictionary of Chinese symbols : hidden symbols in Chinese life and thought. London: Routledge & Kegan Paul. ISBN 978-0-203-03877-2. OCLC 826514710. Ren, Liqi (2013). Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University.
Together, both of the texts are also referred to (within the manuscript itself) as "Jade Book" or "Jade Writing". The fourth century “Sage of Calligraphy”, Wang Xizhi, presented the full text of the Internal Scenery Scripture of the Yellow Court on the stone tables in his classic artwork, a well-known masterpiece of the Chinese calligraphy.
A Chinese idiom meaning 'multi-colored', Wǔyánliùsè (五顏六色), can also refer to 'colors' in general. In Chinese mythology , the goddess Nüwa is said to have mended the Heavens after a disaster destroyed the original pillars that held up the skies, using five colored stones in the five auspicious colors to patch up the crumbling ...
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Han dynasty Chinese talisman, part of the Wucheng Bamboo-slips []. Scholarly research into the history of Taoist symbolism has always been a particular challenge, because historically, Taoist priests have often used abstruse, obscure imagery writing to express their thoughts, meaning that a path to their successful decipherment and interpretation isn't always readily found in primary sources. [9]