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Hymns to the Night (Hymnen an die Nacht) is a set of six prose poems written by the German Romantic poet Novalis (Georg Philipp Friedrich von Hardenberg) and published in 1800. [1] The poems were written in response to the death of Novalis' fiance , Sophie von Kuehn, in 1797.
The krautrock band Novalis took their name from Novalis and used his poems for lyrics on their albums. Novalis records, which are produced by AVC Audio Visual Communications AG, Switzerland, was named in tribute to Novalis's writings. The avant-garde filmmaker Stan Brakhage made the short film First Hymn to the Night – Novalis in 1994.
Doha (Urdu: دوہا, Hindi: दोहा, Punjabi: ਦੋਹਾ) is a form of self-contained rhyming couplet in poetry composed in Mātrika metre. This genre of poetry first became common in Apabhraṃśa and was commonly used in Hindustani language poetry. [1] Among the most famous dohas are those of Sarahpa, Kabir, Mirabai, Rahim, Tulsidas ...
Doha is a very old "verse-format" of Indian poetry.It is an independent verse, a couplet, the meaning of which is complete in itself. [1] As regards its origin, Hermann Jacobi had suggested that the origin of doha can be traced to the Greek Hexametre, that it is an amalgam of two hexametres in one line.
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
The Novalis novel also contained the symbol of the Blue Flower, which became a key symbol in Romanticism. In the early 20th century, nationalistic German writers portrayed Heinrich as a defender of veritable German poetry and even as author of the Nibelungenlied poem.
Indian poetry and Indian literature in general, has a long history dating back to Vedic times. They were written in various Indian languages such as Vedic Sanskrit, Classical Sanskrit, Ancient Meitei, Modern Meitei, Telugu, Tamil, Odia, Maithili, Kannada, Bengali, Assamese, Hindi, Marathi and Urdu among other prominent languages.
In India the Chayavaad style of writing verse had dominated the scene between 1918 and 1936 when it started yielding place to Pragativaad, or progressive poetry, between 1936 and 1950. The 1950s brought with it a new trend in thinking – a search for a middle path, an equilibrium, an understanding – and into this stepped Nalin Vilochan Sarma ...