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"Hold On" is a single by the progressive rock band Kansas. It was the band's 13th single, eighth top 100 hit, and fifth top 40 hit, peaking at number 40. [ 2 ] The song was first released on the 1980 album Audio-Visions , which was the last album recorded with the original band before Steve Walsh left.
"Hold On" is a song by American pop rock band Jonas Brothers. The song was released as the second single from their self-titled second album and was released on May 22, 2007. [ 2 ] The iTunes Store named this single as number three on their "Best of the Store" Playlist on August 7, 2007.
It is the second track on the album and was released as the album's first single. The song reached No. 15 on the U.S. Billboard Hot 100, making it Santana's tenth most successful US hit. It also peaked at No. 17 on the Billboard rock chart. On the Cashbox chart, it reached No. 9. In Canada, "Hold On" peaked at No. 4 for two weeks. [2]
"Hold On" is a song from the album John Lennon/Plastic Ono Band by John Lennon. It features only vocals, tremolo guitar, drums, and bass guitar, typical of the sparse arrangements Lennon favored at the time. On the 2000 reissue of John Lennon/Plastic Ono Band, "Hold On" features a slightly longer introduction. The original version was restored ...
"Hold On" is a song by American vocal group Wilson Phillips, released on February 27, 1990 by SBK, as the lead single from their debut studio album, Wilson Phillips (1990). The song topped the US Billboard Hot 100 for a week in June 1990 and was the most successful single of that year in the US. It also became a worldwide hit, peaking within ...
The core of "Hold On" was written by Yes guitarist Trevor Rabin, prior to his joining the band, as two separate songs: "Hold On" and "Moving In". [3] Once Rabin joined the band, the two songs were combined, with band members Chris Squire and Jon Anderson contributing additional music and lyrics. All three are credited as writers.
NPR named "Hold On" the fifth best song by a woman or non-binary artist in the 21st century, saying of the song: "Despite her ability to quickly transition from a sultry croon à la Janis Joplin to a bellowing, often disembodied howl, it's the lyrical wisdom that masks Howard's young age and makes this song special.
The song, like "Lay It on the Line" from the same album, was written two years before the release of the album. After failing to be noticed as an acoustic track in concert the band decided to make it a rock song and placed it at the end of the concept song, The Twisted Maze which compasses the entire second side of the vinyl.