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We begin bombing in five minutes" is the last sentence of a controversial, off-the-record joke made by U.S. President Ronald Reagan in 1984, during the Cold War. While preparing for a scheduled radio address from his vacation home in California, Reagan joked with those present about outlawing and bombing Russia.
Each 30-minute episode featured five mini-mysteries dramatized with actors, organ music and sound effects. Solutions to each mystery were then suggested by a panel of listeners and studio guests. The panelists sometimes shared a common background; for example, on the April 14, 1949 program, the amateur sleuths were gas industry officials. [2] [3]
An extension of the duo's This Sporting Life radio program, also on Triple J, Roy and HG's use of comedy makes their sporting calls unique from that provided by other media sources, and has earned a cult following. With the duo's move to Triple M radio in 2009, and the end of This Sporting Life, the State of Origin commentary is currently on ...
Quiet, Please! was a radio fantasy and horror program created by Wyllis Cooper, also known for creating Lights Out. Ernest Chappell was the show's announcer and lead actor. Quiet, Please debuted June 8, 1947, on the Mutual Broadcasting System, and its last episode was broadcast June 25, 1949, on the ABC. A total of 106 shows were broadcast ...
Radio drama (or audio drama, audio play, radio play, [1] radio theatre, or audio theatre) is a dramatized, purely acoustic performance. With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story: "It is auditory in the physical dimension but equally powerful as a ...
The Fox News Radio Network provides around-the-clock newscasts at the beginning of each hour and at 30 minutes past the hour. Depending on a station's affiliation, it either receives a five-minute newscast at the beginning of each hour or a one-minute newscast which runs at the beginning of the hour or at 30 minutes after the hour.
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In radio, they are often used during sports broadcasts to ease the transition from play by play to commercial break and back to live action, as well as notify local stations that they should insert their station identification and/or commercials, many times using obscure musical selections of the board operator's choosing.