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Photographic lighting refers to how a light source, artificial or natural, illuminates the scene or subject that is photographed; put simply, it is lighting in regards to photography. Photographers can manipulate the positioning and the quality of a light source to create visual effects , potentially changing aspects of the photograph such as ...
A camera in automatic exposure or autoexposure (usually initialized as AE) mode automatically calculates and adjusts exposure settings to match (as closely as possible) the subject's mid-tone to the mid-tone of the photograph. For most cameras, this means using an on-board TTL exposure meter.
The addition of a fourth light, the background light, makes for a four-point lighting setup. The background light is placed behind the subject(s), on a high grid, or low to the ground. Unlike the other three lights, which illuminate foreground elements like actors and props, it illuminates background elements, such as walls or outdoor scenery.
Nikon refers to this technique as "3D matrix metering", although different camera manufacturers use different terms for this technique. Canon incorporated this technique in E-TTL II. More advanced TTL flash techniques include off-camera flash lighting, where one or more flash units are located at different locations around the subject.
Sunlit subject shot on a digital camera set to ISO 100, exposed at f/8 at 1/400 second which is the same exposure value as f/16 for 1/100 second, the recommended "sunny 16" exposure In photography, the sunny 16 rule (also known as the sunny f /16 rule ) is a method of estimating correct daylight exposures without a light meter .
The key light can be "hard" (focused) or "soft" (), and depending on the desired setup can be placed at different angles relative to the subject.When part of the most common setup—three-point lighting—the key light is placed at a 30–60° angle (with the camera marking 0°).
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On a number of cameras this is the default or standard setting. The camera measures the light intensity in several points in the scene and then combines the results to find the setting for the best exposure. The method of calculation can be different from camera to camera. The actual number of zones used varies widely, from several to over a ...