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"Diamonds & Rust" is a song written, composed, and performed by Joan Baez. It was written in November 1974 and released in 1975. It was written in November 1974 and released in 1975. In the song, Baez recounts an out-of-the-blue phone call from an old lover, which sends her a decade back in time, to a "crummy" hotel in Greenwich Village in ...
Diamonds & Rust is the sixteenth studio album (and eighteenth overall) by American singer-songwriter Joan Baez, released in 1975. The album covered songs written or played by Bob Dylan , Stevie Wonder , The Allman Brothers , Jackson Browne , and John Prine .
Diamonds & Rust in the Bullring is a Joan Baez album, recorded live in the bullring of Bilbao, Spain.It featured twelve songs, six of which were performed in English, five in Spanish and one - "Txoria Txori" - in Basque.
It was Joan Baez in Concert, Part 2 that featured Baez's first-ever Dylan cover. From the early to the mid-1960s, Baez emerged at the forefront of the American roots revival , where she introduced her audiences to the then-unknown Bob Dylan and was emulated by artists such as Judy Collins , Emmylou Harris , Joni Mitchell , and Bonnie Raitt .
The album includes a cover of the Joan Baez song "Diamonds & Rust", a decision which was encouraged by Glover in the interest of adding a track with commercial potential. Indeed, "Diamonds & Rust" was the first song by Judas Priest to receive radio play, and Baez herself reportedly enjoyed the cover.
From Every Stage is a double live album recorded by Joan Baez on tour in the summer of 1975. [4] The first half of the album was acoustic, with Baez accompanying herself on her guitar, while the second half features electric backup. Baez' recording of "Blowin' in the Wind" from this album was later included in the Forrest Gump soundtrack
The Best of Joan C. Baez is a Joan Baez compilation that A&M put together shortly after Baez left the label in 1977. Selections from five of her six A&M albums were included (no songs from 1973's Where Are You Now, My Son? appear), with the emphasis on material from 1975's Diamonds & Rust album.
The Boston Globe called Play Me Backwards "mostly an album of mature, surprisingly percussive folk-pop love songs that marks her finest work since her Diamonds and Rust album of 1975." [18] The Sun-Sentinel wrote that "Baez's erstwhile hyper-quivering soprano thankfully does not flutter so much, and has deepened marvelously with age." [7]