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During the event, Fouquet's collaboration with Alphonse Mucha was prominently showcased, unveiling a highly theatrical line of jewelry characterized by intricate enamel work, natural motifs, and the innovative use of materials like ivory, mother-of-pearl, and gemstones. This collection became an iconic representation of the Art Nouveau style ...
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One particularly popular type of design at this time was a bracelet decorated with snake and animal-heads Because these bracelets used considerably more metal, many examples were made from bronze. By 300 BC, the Greeks had mastered making coloured jewellery and using amethysts, pearl, and emeralds.
The original weight of this pear-shaped pearl was 223.8 grains, (55.95 carats, 11.2 g, almost .4 oz.). At the time of its discovery, it was the largest pearl ever found. In 1913 the pearl had to be drilled and cleaned to secure it firmly to its setting. After drilling and cleaning, the pearl's weight decreased to 203.84 grains.
A foreign visitor commented that London was "a world of gold and silver plate, then pearls and gems shedding their dazzling lustre, home manufactures of the most exquisite taste, an ocean of rings, watches, chains, bracelets, perfumes, ready-dresses, ribbons, lace, bonnets, and fruits from all the zones of the habitable world". [22]
Leslie Field, author of The Queen's Jewels, described it as, "a festoon-and-scroll with nine large oriental pearls on diamond spikes and set on a base of alternate round and lozenge collets between two plain bands of diamonds". At first, Elizabeth wore the tiara without its base and pearls but the base was reattached in 1969. [27]