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Beginning with Animerama, the first Japanese animated film trilogy or series to be rated X by the MPAA established in the United States, begins the first film of the trilogy is A Thousand and One Nights (1969), was a success in Japan with distribution box-office revenue of ¥290 million, [2] it fails at the box-office revenue in the United States until Fritz the Cat, the first animated film ...
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It also broke The Dark Knight's records ($158.4 million) for the highest weekend debut in July, for a summer release, a PG-13 rated film, a Warner Bros. film, and of all time, Alice in Wonderland ' s record ($116.1 million) for the highest weekend debut for a 3-D film, and Harry Potter and the Deathly Hallows – Part 1 ' s record ($125 million ...
June 13, 1993: Jurassic Park: $47,026,828: Jurassic Park broke Batman Returns ' records ($45.6 million) for the highest weekend debut for the month of June, for a summer release, a PG-13 rated film, and of all-time. It had the highest weekend debut of 1993.
It also broke Pirates of the Caribbean: Dead Man's Chest ' s records ($135.6 million) for the highest weekend debut for a summer release, for a PG-13 rated film, and of all-time as well as Spider-Man's records ($114.8 million) for the highest weekend debut in May, for a superhero film, and a Sony film.
It also broke Pirates of the Caribbean: Dead Man's Chest ' s record ($135.6 million) for the highest weekend debut in July, Harry Potter and the Goblet of Fire ' s record ($102.6 million) for the highest opening for a Warner Bros. film, and Spider-Man 3 ' s records ($151.1 million) for the highest weekend debut for a summer release, for a PG-13 ...
Batman Returns broke Batman ' s records ($40.4 million) for the highest weekend debut in the month of June, for a summer release, a superhero film, a PG-13 rated film, a Warner Bros. film, and of all-time. It had the highest weekend debut of 1992. [26] 26: June 28, 1992: $25,425,426 [27] 27: July 5, 1992: $13,823,658 [28] 28: July 12, 1992
No Regrets: The Addams Family (PG-13; 1991) PureWow’s family editor has already detailed why Morticia Addams is the ultimate feminist icon, and I would argue that this entire movie sets a good ...