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The scroll consists of 114 geometric patterns drawn in ink and dye. It displays decorative ornaments found on the walls and domes of structures built between the 10th and 16th century in the Timurid dynasty. It was a guidebook for architectural designs seen in complex muqarnas, girih, mosaic panels and colorful tiles. The scroll does not ...
Noshi (熨斗) are a kind of ceremonial origami fold entirely distinct from "origami-tsuki". They serve as gifts that express "good wishes". They serve as gifts that express "good wishes". Noshi consists of white paper folded with a strip of dried abalone or meat, considered a token of good fortune.
Emperor wearing mianfu decorated with the Twelve ornaments, Ming dynasty. The Twelve ornaments are one of the oldest motifs in China. [11]: 71 They originated in the Western Zhou dynasty and was a group of highly auspicious ancient Chinese symbols and designs, signifying authority and power.
A folding screen, also known as pingfeng (Chinese: 屏風; pinyin: píngfēng), is a type of free-standing furniture consisting of several frames or panels, which are often connected by hinges or by other means. They have practical and decorative uses, and can be made in a variety of designs with different kinds of materials.
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Articles related to the decorative arts, arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture.
Seiji Fujishiro [] (born 1924–), a renowned kirie (' paper picture ') artist known for his colourful kirigami, which have also been published as a book.; Nahoko Kojima (born 1981–), a professional contemporary Japanese kirigami artist, who pioneered sculptural, three-dimensional kirigami.
Maying Soong's 1948 book, The Art of Chinese Paper Folding, helped popularise recreational paper folding in the 20th century, and was possibly the first to distinguish the difference between Chinese versus Japanese paper folding – where the Chinese focus primarily on inanimate objects, such as boats or pagoda, the Japanese include representations of living forms, such as the crane. [4]