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Robert Russell Bennett (June 15, 1894 – August 18, 1981) was an American composer and arranger, best known for his orchestration of many well-known Broadway and Hollywood musicals by other composers such as Irving Berlin, George Gershwin, Jerome Kern, Cole Porter, and Richard Rodgers.
In 1983, two years after Robert Russell Bennett's death, Shaw recorded a somewhat revised digital stereo version of The Many Moods of Christmas, with the Atlanta Symphony Orchestra and Chorus, released that December by Telarc. It was the first of three Christmas albums that Robert Shaw recorded for Telarc.
Composed in 1957, Symphonic Songs for Band is one of Robert Russell Bennett's most famous compositions for wind band.The work was commissioned for the National Intercollegiate Band by Kappa Kappa Psi and Tau Beta Sigma, national honorary band fraternity and sorority, as part of the two organizations' commissioning program. [1]
Porgy and Bess: A Symphonic Picture is a 1942 orchestral medley arranged by George Gershwin's good friend and sometimes assistant, Robert Russell Bennett, which includes most of the best-known songs from the Gershwin opera Porgy and Bess, although not in the exact order of their appearance.
Suite of Old American Dances is a 1949 concert band work by Robert Russell Bennett. Chappell Music published the condensed score and parts in 1952. [1] This score gives the overall duration of its five movements (I. Cake Walk, II.
The Broadway cast recording was directed by John Van Druten, with orchestrations by Robert Russell Bennett and musical director Frederick Dvonch. [2] The recording was inducted into the Grammy Hall of Fame in 2001.
Robert Russell Bennett Suite of Old American Dances (1949) Symphonic Songs for Band (1957) Hector Berlioz Grande symphonie funèbre et triomphale, Op. 15 (1840) Arthur Bird Suite in D Major, Op. 29 (1889) John Barnes Chance Elegy (1972) Incantation and Dance (1960) Symphony No. 2 (1972) Variations on a Korean Folk Song (1966) Aaron Copland ...
Carmen Jones is a 1943 Broadway musical with music by Georges Bizet (orchestrated for Broadway by Robert Russell Bennett) and lyrics and book by Oscar Hammerstein II which was performed at The Broadway Theatre. Conceptually, it is Bizet's opera Carmen updated to a World War II-era, African-American setting.