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The original plans for the aborted Star Trek: Phase II television series involved retaining TOS uniforms but when the project became Star Trek: The Motion Picture, they were replaced with a new design by Robert Fletcher, [8] because, according to Susan Sackett and Gene Roddenberry in The Making of Star Trek: The Motion Picture, the bright ...
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The term originates from the original Star Trek television series (1966–69), in which red-uniformed security officers and engineers often suffered deaths in the episode in which they first appeared, in contrast to most of the show's main characters wearing other colors. [1]
Consequently, this episode is the only one which was not aired during either of the two original runs in Germany (on the public ZDF network in the mid-1970s and on the private Sat.1 network in the late 1980s/early 1990s). It was only dubbed into German in 1995, and was presented in the original English with subtitles in all earlier German releases.
William Ware Theiss (/ θ aɪ s /; November 20, 1931 – December 15, 1992) [1] was an American costume designer for television and film.. His film credits as costume designer include Spartacus, Harold and Maude, Bound for Glory, Pete's Dragon (uncredited), Who'll Stop the Rain, Butch and Sundance: The Early Days, The Man with One Red Shoe, and Heart Like a Wheel.
At the center of Star Trek: Section 31 is Michelle Yeoh.Everything else within the first Trek film of the Paramount+ era orbits around her. The visuals, the camera work, the colors of the costumes ...