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In J. R. R. Tolkien's fictional continent of Middle-earth, Mordor (pronounced; from Sindarin Black Land and Quenya Land of Shadow) is the realm and base of the evil lord Sauron. It lay to the east of Gondor and the great river Anduin , and to the south of Mirkwood .
Marjorie Burns's analysis of the living deaths and fiery ends of evil characters in Middle-earth [21] Evil character Actions Death Sauron: Creates the One Ring to dominate Middle-earth; uses it to build Mordor and the Dark Tower; becomes the "Necromancer", communing with the dead "Virtually indestructible": undone by fire, his shadow blown away ...
Evil is ever-present in J. R. R. Tolkien's fictional realm of Middle-earth. Tolkien is ambiguous on the philosophical question of whether evil is the absence of good, the Boethian position, or whether it is a force seemingly as powerful as good, and forever opposed to it, the Manichaean view. The major evil characters have varied origins.
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements such as hope and ...
Commentators including some Christians have taken a wide range of positions on the role of Christianity in Tolkien's fiction, especially in The Lord of the Rings.They note that it contains representations of Christ and angels in characters such as the wizards, the resurrection, the motifs of light, hope, and redemptive suffering, the apparent invisibility of Christianity in the novel, and not ...
England and Englishness are represented in multiple forms within J. R. R. Tolkien's Middle-earth writings; it appears, more or less thinly disguised, in the form of the Shire and the lands close to it; in kindly characters such as Treebeard, Faramir, and Théoden; in its industrialised state as Isengard and Mordor; and as Anglo-Saxon England in Rohan.
A major theme is the corrupting influence of the Ring through the power it offers, especially to those already powerful. [2] The Tolkien scholar Tom Shippey notes Gandalf's statements about the power and influence of the One Ring in "The Shadow of the Past", and the corrupting influence it has on its bearers.
J. R. R. Tolkien, a devout Roman Catholic, embodied Christianity in his legendarium, including The Lord of the Rings.Light is a prominent motif in Christianity: it is the first thing created by God in the Book of Genesis, it symbolizes God's grace and blessings elsewhere in the Old Testament, and it is closely associated with both Jesus and humanity itself in the Gospel of John in the New ...